Chris Knipp Writing: Movies, Politics, Art


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PostPosted: Thu Jan 17, 2019 4:46 pm 
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Some excellent 2018 movies that got completely ignored are rounded up in this handy little Indiewire video

I wrote reviews or at least thumbnail notices of half of them. You can catch them all online now. There are links to my reviews.

These are the kind of films I'd have been delighted to find in the days when I roamed the aisles of the local video stores in search of hidden gems - or might have discovered through Michael Sragow's invaluable book, Produced and Abandoned: The Best Films You've Never seen.

I KILL GIANTS (Anders Walter).] Adapted by a Danish director from a graphic novel on a YA theme with an excellent lead performance. In my NY Movie Journal, one of those odd, offbeat winter Manhattan movie experiences.

LEAN ON PETE (Andrew Haigh) The touching film about a lost America features the immensely gifted young Charlie Plummer and is by the great director or 45 Years. I found it so distinctive and special I made it one of my ten best of the year. Much admired at festivals and by critics but ignored by "casual moviegoers," says the video narrator.

THE ENDLESS (Justin Benson, Aaron Moorhead). A haunting indie sci-fi tale got ignored because it was released the same weekend as THE QUIET PLACE. I reviewed this on a screener at the time of its little noticed April release.

THOROUGHBREDS (Cory Finley). IT'S a sophisticated debut feature about spoiled, immoral middle-class young female murderers, including a last role for the far-too-soon-lost Anton Yelchin. I noted this in my New York Movie Journal.

GOLDSTONE ( Ivan Sen). AN Australian Outback noir detective story with the great Jackie Weaver about a missing Chinese tourist with an aboriginal detective. Greet reviews but poor box office. I missed this one.

GEMINI (Alex Katz). Crime and mystery in Hollywood with John Cho. I didn't see this but heard about it and have seen and written about two of Katz''s earlier films, including the 2011 Cold Weather. When I see this it will be my third with John Cho this year after Searching and Columbus. He's gone a long way from Harold and Kumar.

BOMB CITY (Jameson Brooks). "One part pulpy crime story, one part heart-grabbing drama, this is a brilliant little film," says the video narrator. It's about a big clash between punk musicians and local toughs in a Texas town that leads to murder. This one on an unusual topic with a lot of colorful action. It completely eluded me.

UNSANE (Stephen Soderbergh. A B picture aesthetic "psychological horror thriller" shot on an iPhone, this was called one of Soderbergh's best by Richard Brody, but got no audience. It stars "The Crown" and First Man actress Claire Foy.

YOU WERE NEVER REALLY HERE (Lynne Ramsey). I saw this twice - in Paris, then San Francisco, and I can't imagine it getting under the radar: it packs a wallop and won a big Cannes prize and has Ramsey and Joaquin Phoenix both working in top form. But it's a tough watch and not for everyone.

SWEET COUNTRY (Warwick Thornton) Another Australian film, focused on a middle-aged aboriginal farmer. It won a Special Jury Prize at Venice. The director's debut firl Samson and Delilah about two aboriginal kids, was quite memorable. I reviewed it as part of ND/NF 2010. SWEET COUNTRY is another one swamped by the massive success of A QUIET PLACE.

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Bomb City - trailer Works on every level" - Richard Linklater

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